Our cameras' day in court
Breaking news is a fast paced business but today marks the culmination of a
slow-burn campaign led by Sky News which started more than a decade ago. For the first time, video cameras
will be allowed into the Court of Appeal in London – a first step down a road which we hope will eventually
make TV cameras in courts widely accepted.
Sky News, along with the BBC,
ITN and Press Association have worked together with the judiciary and the Ministry of Justice to agree the
rules governing this landmark development. I was one of the broadcasters who first started discussing the
idea with the government in 2002. Since then Lord Chancellors have come and gone but we have stuck at it and
finally achieved a breakthrough when the coalition government announced in 2011 they would allow cameras
limited access to courtrooms.
It is intended that the filming will open up
the workings of the Appeal Court, engage the public in the legal system and make justice more transparent.
Negotiations have been extremely detailed– everything from where we can position our cameras to the framing
of the shots has had to be explicitly agreed between all the parties. Understandably the Judges are very
cautious and want to be sure it will not interfere with the process of justice. We are confident that it
will not.
Many countries allow filming in courtrooms. Since 1992 some
filming has been allowed in limited circumstances in Scotland, with the most notable instance being the
recent murder trial for Nat Fraser, broadcast by Channel 4 in July 2013, but it is strictly controlled and
is really only useful for documentaries long after the event. Our ambition for the Court of Appeal is to use
the material for on-the-day news.
Although jointly funded by all four media
organisations, George Davies, the Head of Cameras for Sky News and his colleagues have played a pivotal role
on the technical side of the project, itself an enormous challenge. To install robotic, wirelessly operated
cameras linked to a bespoke control desk was hard enough. In addition we had to develop two separate delay
systems – one for the Judges to block anything they do not want broadcast and one for us to ensure that
nothing goes out which might breach the Ofcom code. The Court Video Journalist, Matt Nicholls, although
jointly funded, is technically employed by Sky. Matt is an experienced court reporter, with two law degrees,
but is also very able technically. His role is consummate multi-skilling. He will be producer, director,
vision mixer and rigger rolled into one and will deploy and operate the production equipment and mobile
cameras. Matt also co-ordinates with newsdesks at the media partners regarding which cases to cover.
Not everything in the Court of Appeal is dramatic or exciting. Legal arguments can be arcane and
sometimes quite dry. But this is a first step. It’s up to the broadcasters to show they can use the access
responsibly and effectively to persuade the judges to allow us into criminal trials at courts like the Old
Bailey.